ときめき voices

Laura Escueta

Speaking through language, learning through touch.

モノではなす、さわってわかる。

“Tokimeki Voices” is a project that explores the relationship between haptic memory, the qualities of the voice, and the rhythm of language. The title uses a Japanese word; encountered during an exchange in Hiroshima, Japan. Friends, peers and professors struggled to define the word, but gestured and emphasized that it was a feeling. It is small words like this that makes the experience of learning languages “tokimeki,” a joy.


The device was made to fit comfortably in the hands.

It is made up of wood and ceramic halves that can be separated to reveal a metal plate.

Depending on the pitch and volume of the person speaking, the device will vibrate, allowing the user to “feel” the speaker’s voice.


Wood
ceramic
metal

The journey to learning a language tends to begin with a textbook, Youtube videos, and lots of writing. However, when we are communicating, we use more than that: gestures! So, if meaning comes through touch as well, why not engage this sense when learning? By engaging materials that are used in instruments as well as vibration, I hope users can draw parallels between how they engage with music and how they engage with language. While this is not meant to be a translation device, an accompanying app can help with tracking progress in a more concrete way.

While there are a variety of reasons to learn a language, here are a few scenarios…


“The Academic”

While they may be studying for fun or for professional reasons, they’ve taken an interest in and have a passion for working on their accent and verbal communication. This user would most likely use the app to check their progress and improve at their desk.

“The Traveller”

This user may already have begun their studies, but they are struggling to hear differences between words. They use the device to help with hearing native speakers at their natural speed.

“The Everyday”

This user is likely fluent in the language and has no problems with pronunciation. They would use the device to feel the voice of their loved ones. If they are not already fluent, they may use it to help with idioms or other advance elements.

Laura Escueta

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I think like a detective. I present like a storyteller, and analyze like a researcher. My handle is “designer.” I can stand in front of webs of information and pull out stories and insights to create design outcomes that help the world around me. I draw inspiration from places – the Philippines, Vancouver and Japan. Culture, music and memories all influence my way of perceiving, interacting with, and using design methodologies. In the liminal spaces between design disciplines I see the areas of opportunity in the impossible. My hobbies are language and music. I’m fluent in French, comfortable in Japanese, and understand some Tagalog and Korean. I’m aiming to be a polyglot (fluent in multiple languages) so that I can collaborate with designers around the world!
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